In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subject...(展开全部)

南加大电影系主任，著名剪辑师、导演，毕生经验总结 剪辑专业首选必读教科书 国际影视院校联合会、著名电影学者大卫·波德维尔一致推荐 与沃尔特·默奇《眨眼之间》齐名的大师之作 干货技巧结合亲自参与的一手实例，详解7大剪辑原则 地道的流畅剪辑技法精华，尽在本书 ................... 📖 编辑推荐 剪辑如何做到神不知鬼不觉，让人不出戏？ 怎么“卡点”、“让画面充满活力”？ …… 是灵动的剪辑激活了视觉创意，给了屏幕前的观众“会心一击”。 在目不暇接的全民短视频时代，人人都需要了解一些“剪辑思维”。 ◎ 剪辑专业首选必读教科书，好莱坞流畅剪辑技法精华 作者麦肯德里克是大制片厂剪辑师出身的知名导演， 作品多次提名奥斯卡、金棕榈、金狮等大奖，后投身教学，担任南加大电影制作系主任，他提出的7大剪辑原则，影响了包括好莱坞著名剪辑师沃尔特·默奇在内的一...(展开全部)

From Publishers Weekly Oxford University zoologist Parker tackles one of biology's biggest mysteries in this nontechnical account. He provides a relatively simple explanation for the sudden explosion of life forms that defines the boundary between the pre-Cambrian and Cambrian eras approximately 543 million years ago: "The Cambrian explosion was triggered by the sudden evolutio...(展开全部)

◎作者简介 安德鲁• 帕克，1967 年出生于英国，曾于澳大利亚博物馆从事海洋生物研究，同时取得悉尼麦克里大学博士学位。之后转往英国牛津大学动物学系开展研究工作，并于 1999 年成为英国皇家学会研究员。此外，他也是牛津大学萨默维尔学院的研究员。 ………………………… ◎译者简介 于翀涵，中国地质大学（北京）海洋学院博士研究生在读。曾实地考察寒武纪澄江动物群，且有幸随中国大洋49航次前往西南印度洋开展科考。学习之余从事科普工作近7年，在中国地质博物馆及中国地质大学（北京）博物馆任志愿讲解员。本书为她的首本科普译作。 李晨昊，本硕就读于中国地质大学（北京），地球物理学理学硕士。现就职于中国航天科技某研究所，自然科学爱好者。

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

What Are You Looking At? by Will Gompertz - a wonderfully lively and accessible history of Modern Art by the BBC Arts Editor. "An essential primer not only for art lovers but for art loathers too". (Express). What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look ...(展开全部)

What Are You Looking At? by Will Gompertz - a wonderfully lively and accessible history of Modern Art by the BBC Arts Editor. "An essential primer not only for art lovers but for art loathers too". (Express). What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look ...(展开全部)

Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine ...(展开全部)

Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's...(展开全部)